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      FACULTY OF FINE ARTS AND DESIGN

      Department of Industrial Design

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      ID 302 | Course Introduction and Application Information

      Course Name
      Contemporary Issues in Industrial Design
      Code
      Semester
      Theory
      (hour/week)
      Application/Lab
      (hour/week)
      Local Credits
      ECTS
      ID 302
      Fall/Spring
      3
      0
      3
      4

      Prerequisites
      None
      Course Language
      English
      Course Type
      Elective
      Course Level
      First Cycle
      Mode of Delivery Online
      Teaching Methods and Techniques of the Course Guest Speaker
      Lecture / Presentation
      National Occupation Classification -
      Course Coordinator
      • Dr. Öğr. Üyesi Esra BİCİ NASIR
      Course Lecturer(s)
      • Dr. Öğr. Üyesi Esra BİCİ NASIR
      Assistant(s) -
      Course Objectives This course aims to analyze and implement the contemporary subjects and up-to-date issues regarding the industrial design discipline and practice. Bringing important subjects in industrial design area for last two decades, this course provides students a concise vision and perspective about the design practices and discipline.
      Learning Outcomes

      The students who succeeded in this course;

      • • will be able to learn design thinking as a human-centered approach to innovation which draws from the designer’s toolkit to integrate the needs of people, the possibilities of technology and the requirements for business success.
      • • will be able to understand a human-centered design approach which embraces empathy, creativity and ambiguity
      • • will be able to get engaged with user research practices which aim to develop design projects based on the data collected about user behaviors.
      • Students will be able to get engaged with user research practices which aim to develop design projects based on the data collected about user behaviors.
      Course Description This course aims to analyze the contemporary approaches developed for the design process and concept scrutinizing the relation between the designer and the user.
      Related Sustainable Development Goals

       



      Course Category

      Core Courses
      Major Area Courses
      Supportive Courses
      X
      Media and Management Skills Courses
      Transferable Skill Courses

       

      WEEKLY SUBJECTS AND RELATED PREPARATION STUDIES

      Week Subjects Related Preparation
      1 Introduction of the course. None
      2 Use-Users-Designers, Design by Use Brandes, U. (2009). Design by use: The everyday metamorphosis of things. Berlin, Germany: Birkhauser.
      3 Non-intentional Design Brandes, U., & Erlhoff, M. (2006). Non intentional design. Köln, Germany: Daab
      4 Participatory Design Kristensson, P., Magnusson, P. R., & Matthing, J. (2002). Users as a hidden resource for creativity: Findings from an experimental study on user involvement. Creativity and Innovation Management, 11(1), p. 55–61.
      5 Design probes. Mattelmaki, T. (2005). Applying probes – From inspirational notes to collaborative insights. CoDesign, 1(2), p. 83–102.
      6 Design Thinking Cooper, R., Junginger, S., & Lockwood, T. (2010). Design thinking and design management: A research and practice perspective. In T. Lockwood (Ed.), Design thinking: Integrating innovation, customer experience and brand value, p. 57–64. Allworth Press.
      7 Design Etnography and Anthropology Clarke, A. J. (2011). Introduction. In A. J. Clarke (Ed.), Design anthropology: Object culture in the 21st century, p. 9–13. New York, NY: Springer.
      8 User Scenarios None
      9 Midterm Exam None
      10 A Guest Speaker: ‘Working Rituals’A Guest Speaker: ‘Working Rituals’ None
      11 Developing a Project Idea Sketches, charts, drawings
      12 Project Development Sketches, charts, drawings
      13 Project Development Sketches, charts, drawings
      14 Project Development Sketches, charts, drawings
      15 Semester Review None
      16 Final Project Examination None

       

      Course Notes/Textbooks
      Suggested Readings/Materials

      Lockwood, T. (2010). Design thinking: Integrating innovation, customer experience, and brand value. New York, NY: Allworth Press.

       

      Mattelmaki, T. (2005). Applying probes – From inspirational notes to collaborative insights. CoDesign, 1(2), p. 83–102.

       

      Suri, J.F. (2005).Thoughtless acts? Observations on intuitive design. SanFrancisco, CA: Chronicle Books.

       

      Sanders, E. B. -N., & Stappers, P. J. (2012). Convivial toolbox: Generative research for the front end of design. Amsterdam: BIS.

       

      EVALUATION SYSTEM

      Semester Activities Number Weigthing
      Participation
      1
      10
      Laboratory / Application
      Field Work
      Quizzes / Studio Critiques
      Portfolio
      Homework / Assignments
      Presentation / Jury
      1
      20
      Project
      Seminar / Workshop
      Oral Exams
      Midterm
      1
      30
      Final Exam
      1
      40
      Total

      Weighting of Semester Activities on the Final Grade
      60
      Weighting of End-of-Semester Activities on the Final Grade
      40
      Total

      ECTS / WORKLOAD TABLE

      Semester Activities Number Duration (Hours) Workload
      Theoretical Course Hours
      (Including exam week: 16 x total hours)
      16
      4
      64
      Laboratory / Application Hours
      (Including exam week: '.16.' x total hours)
      16
      0
      Study Hours Out of Class
      10
      1
      10
      Field Work
      0
      Quizzes / Studio Critiques
      0
      Portfolio
      0
      Homework / Assignments
      0
      Presentation / Jury
      1
      4
      4
      Project
      0
      Seminar / Workshop
      0
      Oral Exam
      0
      Midterms
      1
      16
      16
      Final Exam
      1
      20
      20
          Total
      114

       

      COURSE LEARNING OUTCOMES AND PROGRAM QUALIFICATIONS RELATIONSHIP

      #
      Program Competencies/Outcomes
      * Contribution Level
      1
      2
      3
      4
      5
      1

      To be able to equipped with theoretical and practical knowledge of industrial design, and to apply it to a variety of products, services and systems from conventional industries to urban scale with innovative and sustainable approaches

      -
      -
      X
      -
      -
      2

      To be able to communicate design concepts and proposals for solutions, which are supported with quantitative and qualitative data, to specialists and non-specialists through visual, written, and oral means

      -
      X
      -
      -
      -
      3

      To be able to equipped with the related theoretical and methodological knowledge of engineering, management, and visual communication that is required for interdisciplinary characteristic of industrial design; and to collaborate with other disciplines, organizations, or companies

      -
      -
      -
      -
      -
      4

      To be able to equipped with the knowledge of history and theory of design, arts and crafts; and culture of industrial design

      -
      -
      -
      -
      -
      5

      To be able to equipped with social, cultural, economic, environmental, legal, scientific and ethical values in the accumulation, interpretation and/or application of disciplinary information and to employ these values regarding different needs

      -
      -
      -
      -
      -
      6

      To be able to develop contemporary approaches individually and as a team member to solve today’s problems in the practice of industrial design

      -
      X
      -
      -
      -
      7

      To be able to define design problems within their contexts and circumstances, and to propose solutions for them within the discipline of industrial design considering materials, production technologies and ergonomics

      -
      -
      -
      -
      -
      8

      To be able to use digital information and communication technologies, physical model making techniques and machinery, at an adequate level to the discipline of industrial design

      -
      -
      -
      -
      -
      9

      To be able to employ design research and methods within the theory and practice of industrial design

      -
      X
      -
      -
      -
      10

      To be able to recognize the need and importance of a personal lifelong learning attitude towards their chosen specialization area within the industrial design field

      -
      -
      -
      -
      -
      11

      To be able to collect data in the areas of industrial design and communicate with colleagues in a foreign language ("European Language Portfolio Global Scale", Level B1)

      -
      -
      -
      -
      -
      12

      To be able to speak a second foreign language at a medium level of fluency efficiently

      -
      -
      -
      -
      -
      13

      To be able to relate the knowledge accumulated throughout the human history to their field of expertise

      -
      -
      -
      -
      -

      *1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest


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