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      FACULTY OF FINE ARTS AND DESIGN

      Department of Industrial Design

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      ID 380 | Course Introduction and Application Information

      Course Name
      Biomaterials: Designing with Living Systems
      Code
      Semester
      Theory
      (hour/week)
      Application/Lab
      (hour/week)
      Local Credits
      ECTS
      ID 380
      Fall/Spring
      2
      2
      3
      4

      Prerequisites
      None
      Course Language
      English
      Course Type
      Elective
      Course Level
      First Cycle
      Mode of Delivery -
      Teaching Methods and Techniques of the Course Application: Experiment / Laboratory / Workshop
      Lecture / Presentation
      National Occupation Classification -
      Course Coordinator
      • Öğr. Gör. Dr. Derya IRKDAŞ DOĞU
      Course Lecturer(s)
      • Öğr. Gör. Dr. Derya IRKDAŞ DOĞU
      Assistant(s) -
      Course Objectives Understanding how and what influences form in a biological system; Finding (noninvasive) tools and methods to manipulate form in a biological system;\nDesigning new forms in/with biological systems\n\nUnderstanding how and what influences form in a biological system;\nFinding (noninvasive) tools and methods to manipulate form in a biological system;\nDesigning new forms in/with biological systems
      Learning Outcomes

      The students who succeeded in this course;

      • Will be able to identify the main “foreign” agents that influence growth and activity in a biological system
      • Will be able to analyze and register elements that influence form variation in a biological system
      • Will be able to identify which constraint agents of a biological system can be hacked in order to tamper with the resulting final-shapes
      • Will be able to acknowledge the ethical and deontological aspects involved when working with living systems
      • Will be able to design systems that generate form by manipulating the growth constraints in a biological system
      Course Description Presenting case studies of biological systems that have been hacked or manipulated; making field research for the observation of living systems (how flowers bloom, how trees grow, how insects dig, etc.); making experiments and sketching to forecast the action of the foreign agents on the system; designing new systems for form generating.
      Related Sustainable Development Goals

       



      Course Category

      Core Courses
      Major Area Courses
      Supportive Courses
      X
      Media and Management Skills Courses
      Transferable Skill Courses

       

      WEEKLY SUBJECTS AND RELATED PREPARATION STUDIES

      Week Subjects Related Preparation
      1 Introduction (General overview); Unveiling concepts of hyperobjects, holistic approach,design for interspecies collaboration and sustainability; Assignment of homeworks / Introduction to project assignments. None
      2 Biological system: concepts and definitions; Identifying hackable systems and agents that influence form-shaping in the presented systems. Design methodology in/for/with Nature. / Assignment 01 - Subject definition for a Collaborative Project See - Documentary I: David Attenborough: A Life on Our Planet (2020) / Order 2 Mushroom Kits
      3 Correlation between foreign agents’ activities and form-shaping: geometries, colors, textures, etc. / Nurture vs Nature. Fungi as a biological agent. / PRESENTATION AND DISCUSSION of the group research – brainstorming in class; See - Documentary 2: Connected: The Hidden Science of Everything (2020) episode I and III
      4 “Workshop” on how to collaborate with fungi; Ethics, deontology and aesthetics; Phenotype and genotype / PROJECT 01 SUBMISSION AND APPLICATION See - Documentary 3: Rotten (2018) episode II and IV / Photo/Sketch and emotional daily log
      5 Mind mapping and strategies to reverse engineer complex artifacts / Levels of interaction and influence on growth / Generating narratives through visualization. Photo/Sketch and emotional daily log / Assignment 02 - Nurturing a living system
      6 System design and designed by the system / Domestication / Human vs natural design Photo/Sketch and emotional daily log / Terminating a living system
      7 Ripple effect / Perspective, scales / Sensing vs visualizing / Small actions have big consequences. Photo/Sketch and emotional daily log
      8 Progress report See - Documentary 4: Abstract: The Art of Design (2017) / Photo/Sketch and emotional daily log / Presentation / Simulation: manipulation of the biological system - expected results
      9 Midterm Week none
      10 Assignment 02: PRESENTATION AND DISCUSSION of the system design See Documentary 5 - Anthropocene: The Human Epoch (2018) / Photo/Sketch and emotional daily log
      11 Breaking the system into levels of design in/with/for nature - identifying opportunities and bottle-necks Photo/Sketch and emotional daily log.
      12 The materiality of matter See Documentary 6 - Abstract: The Art of Design (Neri Oxman: Bio-Architecture) (2020) / Photo/Sketch and emotional daily log
      13 Looking for the impossible – creating scenarios / Design - “selling a concept” (elevators pitch) Photo/Sketch and emotional daily log.
      14 Out of control - identifying potential collaborations / Evaluating outcomes. Photo/Sketch and emotional daily log.
      15 PROJECT 02 SUBMISSION All elements required for a correct understanding and demonstration of the project.
      16 Review of the Semester None

       

      Course Notes/Textbooks Lecture Notes.
      Suggested Readings/Materials

      Munari, Bruno. Design as Art. Translated by Patrick Creagh. London: Penguin Books, 2008.

      Thompson, D'Arcy Wentworth. On Growth and Form. Cambridge: Cambridge University Press, 1917.

      Simon, Herbert A. The Sciences of the Artificial: Massachusetts Instituite of Technology, 1996.

      Antonelli, Paola. Bio Design: Nature + Science + Creativity: Thames & Hudson Ltd, London 2012.

       

      EVALUATION SYSTEM

      Semester Activities Number Weigthing
      Participation
      1
      10
      Laboratory / Application
      1
      30
      Field Work
      Quizzes / Studio Critiques
      Portfolio
      Homework / Assignments
      2
      15
      Presentation / Jury
      Project
      2
      45
      Seminar / Workshop
      Oral Exams
      Midterm
      Final Exam
      Total

      Weighting of Semester Activities on the Final Grade
      6
      100
      Weighting of End-of-Semester Activities on the Final Grade
      Total

      ECTS / WORKLOAD TABLE

      Semester Activities Number Duration (Hours) Workload
      Theoretical Course Hours
      (Including exam week: 16 x total hours)
      16
      2
      32
      Laboratory / Application Hours
      (Including exam week: '.16.' x total hours)
      16
      2
      32
      Study Hours Out of Class
      8
      2
      16
      Field Work
      0
      Quizzes / Studio Critiques
      0
      Portfolio
      0
      Homework / Assignments
      2
      5
      10
      Presentation / Jury
      0
      Project
      2
      15
      30
      Seminar / Workshop
      0
      Oral Exam
      0
      Midterms
      0
      Final Exam
      0
          Total
      120

       

      COURSE LEARNING OUTCOMES AND PROGRAM QUALIFICATIONS RELATIONSHIP

      #
      Program Competencies/Outcomes
      * Contribution Level
      1
      2
      3
      4
      5
      1

      To be able to equipped with theoretical and practical knowledge of industrial design, and to apply it to a variety of products, services and systems from conventional industries to urban scale with innovative and sustainable approaches

      -
      -
      -
      -
      -
      2

      To be able to communicate design concepts and proposals for solutions, which are supported with quantitative and qualitative data, to specialists and non-specialists through visual, written, and oral means

      -
      -
      -
      -
      -
      3

      To be able to equipped with the related theoretical and methodological knowledge of engineering, management, and visual communication that is required for interdisciplinary characteristic of industrial design; and to collaborate with other disciplines, organizations, or companies

      -
      -
      X
      -
      -
      4

      To be able to equipped with the knowledge of history and theory of design, arts and crafts; and culture of industrial design

      -
      -
      -
      -
      -
      5

      To be able to equipped with social, cultural, economic, environmental, legal, scientific and ethical values in the accumulation, interpretation and/or application of disciplinary information and to employ these values regarding different needs

      -
      -
      -
      -
      -
      6

      To be able to develop contemporary approaches individually and as a team member to solve today’s problems in the practice of industrial design

      -
      X
      -
      -
      -
      7

      To be able to define design problems within their contexts and circumstances, and to propose solutions for them within the discipline of industrial design considering materials, production technologies and ergonomics

      -
      X
      -
      -
      -
      8

      To be able to use digital information and communication technologies, physical model making techniques and machinery, at an adequate level to the discipline of industrial design

      -
      -
      -
      -
      -
      9

      To be able to employ design research and methods within the theory and practice of industrial design

      -
      -
      -
      -
      -
      10

      To be able to recognize the need and importance of a personal lifelong learning attitude towards their chosen specialization area within the industrial design field

      -
      -
      X
      -
      -
      11

      To be able to collect data in the areas of industrial design and communicate with colleagues in a foreign language ("European Language Portfolio Global Scale", Level B1)

      -
      -
      -
      -
      -
      12

      To be able to speak a second foreign language at a medium level of fluency efficiently

      -
      -
      -
      -
      -
      13

      To be able to relate the knowledge accumulated throughout the human history to their field of expertise

      -
      -
      -
      -
      -

      *1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest


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